Cardiff Contemporary, the Welsh capital’s biennial festival of international contemporary arts will take place on Thursday 20 October – Saturday 19 November 2016
Ten new artist’s commissions include the activation of a permanent sculpture on Cardiff’s waterfront and the re-appropriation of two derelict city landmarks, where artists will communicate ideas globally and through space and time.
Megan Broadmedow: Let the stars Be Set Upon the Board
Reportedly discovered in 1901, the same year as Marconi’s transatlantic radio transmission, the Antikythera Mechanism is an ancient, bronze instrument of multiple, moving parts described as the earliest analogue computer. Bristol-based artist, Megan Broadmeadow will use this seismic archaeological discovery as the basis for a new sculptural work, simultaneously reflecting on the mechanism’s resting place at the bottom of the Mediterranean and the ancient Egyptian and Greek civilisations that it is related to.
Laura Ford: Keepers of the Wall
Laura Ford’s sculptures, combining tenderness, fantasy with frequent signs of menace to relay political or social comment, will bring something suddenly and mysteriously new to a Cardiff city centre landmark. This project will remain purposely under wraps, exercising the art of surprise.
Roman Štětina: Shave and a haircut – two bits
Fully engaging and rising to the challenge of the festival theme, Czech artist Roman Štětina collaborates with curator Louise Hobson to develop a ‘call and response’ collection of works along a city centre street, requiring the fleeting presence of the public passing through the city to become active. The final piece will reference not only Marconi’s initial achievement, but the enduring success of radio as the place that generations of people, right up to and, likely far beyond the modern day, consistently turn to for evidence of a reassuring human presence in times of crisis.
Robert Montgomery: Cardiff Poem 2016
Beautifully capturing the convergence of prose and visual art, Robert Montgomery’s work in neon, fire, billboards, painting and print has written deeply-affecting statements large across public spaces from Trafalgar Square, London to Tempelhof Field, Berlin. Facing the entrance to Cardiff Central Station, Montgomery will make his latest statement in Central Square, illuminating every traveller’s arrival and departure with an intervention that invites a moment of reflection in the most transient, time-bound corner of the city.
Heather and Ivan Morison: Love Me or Leave Me Alone (LMOLMA)
Combining to deliver work that transcends the divisions between art, architecture and theatre, the duo of Heather and Ivan Morison will activate Cardiff’s waterfront with their first, permanent public building. Located at Cardiff Bay, the meticulously sculpted structure, inspired by stave churches of Norway – a country inextricably linked by historic trade to Cardiff – and ad hoc beach shacks of 1960s West Coast America will appear as a functional food and drink outlet. Love Me or Leave Me Alone will play host to a programme of special events curated by Chapter on Saturday evenings during the festival.
Anthony Shapland: The Hand that makes the Sound
Signwriting is an art form that is dying out and one of the most common forms of communication spanning the birth of trade and commercialism as we know it. Cardiff-based artist, Anthony Shapland is exploring the art and one of the city’s oldest surviving practitioners of the trade, whose own, physical canon of works has been gradually eroded by the advancement of regeneration, knocking down the workshops and traditional retailers that once proudly bore the fruits of his labour.
Charles Danby and Rob Smith: Limelight
A project that arrives in Cardiff courtesy of PEAK – Contemporary Art in the Black Mountains – and the Canal & River Trust, Charles Danby and Rob Smith return to the rural heartlands above the city, encountering the canals, quarries, tramways, caves and kilns that fed the heavy industries that roared in South Wales. For Limelight, the artists will use digital means to bring reflections on this history to contemporary audiences by streaming a series of live illuminations to a city centre location and online. The material for their work will be limelight itself, an intense white light generated through heating quicklime used in the 19th century for land survey work and stage lighting. Each broadcast will last as long as it takes for the chemical reaction to be exhausted.
tactileBOSCH: Garden of Earthly Delights
Borrowing directly from a masterpiece by the artist collective’s namesake, Hieronymus Bosch, the Garden of Earthly Delights promises a vibrant, prodigious and inclusive multi-media exhibition in the old Docks Post Office, a vast disused building in the historic area of Cardiff Bay. Their invigoration of a long-abandoned landmark will be a ‘gesamtkunstwerk’, gathering collaborators together to include site-specific installation, video, painting, photography, sonic art, interdisciplinary collaborations and spontaneous interventions, starting with a wild launch night of live music, cabaret, spoken word and visceral performance art.
Richard James and Angharad Van Rjiswijk featuring Stewart Lee and Andy Fung:
The Hill of Dreams
An audio-visual, immersive installation based on the psychogeography of childhood and the wider themes explored in Arthur Machen’s book, The Hill of Dreams, Richard and Angharad will travel to locations of their childhood in Carmarthenshire, Pembrokeshire and the southern Netherlands to record the landscapes that defined their childhoods. The pair’s collaborative suite of footage, field recordings and archive material will be embellished by comedian and writer, Stewart Lee, recording an original, narrative piece for the audio installation and artist, Andy Fung who will paint an accompanying canvas that reflects on his Trinidadian upbringing.
Spit & Sawdust featuring Edwin Burdis
Occasionally a misunderstood and maligned fixture in city spaces, skateboarders and skate culture are set on a collaborative collision course with artists in a project that draws parallels between the two protagonists. As both visibly inhabit and frequently alter the city spaces that they use, the artist-led collaboration will look to the ‘internal’ language of skating, experimentation in using public space, the conventions by which skateboarders communicate and celebrate new skills and ideas and popular forms of documenting performances, primarily video, as part of this new work. The outcome is intended to be a timely discussion about how we exist in close proximity with others who may have different ideas or agendas.